India Box Office Dhadak 2 Fades In Competition With Saiyaara

Published in Sports and Competition on Tuesday, August 5th 2025 at 3:21 GMT by Forbes
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The new Indian film 'Dhadak 2' is being praised critically, but the film failed to match the box office magic of previous releases 'Saiyaara' and 'Mahavatar Narsimha'.

India's Box Office Landscape Shifts: "Saiyaara" Dominates While "Dhadak 2" Struggles

The Indian box office is experiencing a significant shift in power dynamics this summer, with Karan Johar’s highly anticipated sequel “Dhadak 2” failing to live up to expectations and being decisively overshadowed by the unexpected success of debutant director Rohan Verma's space opera romance, "Saiyaara." The Forbes article, published August 5th, 2025, paints a picture of a market grappling with evolving audience preferences, the impact of streaming services, and the challenges faced by established franchises attempting to maintain relevance.

The initial hype surrounding “Dhadak 2” was immense. As a sequel to the popular 2018 film "Dhadak," it carried significant brand recognition and benefited from a massive promotional campaign orchestrated by Johar’s Dharma Productions. The film boasted a fresh pairing of rising stars, Anya Sharma and Varun Khanna, and promised a contemporary take on forbidden love set against a backdrop of societal pressures – themes that resonated strongly with the original's audience. Pre-release buzz suggested a potential blockbuster, with analysts predicting record-breaking opening weekend numbers.

However, the reality at the box office has been starkly different. While “Dhadak 2” did manage a respectable opening, its collections quickly plateaued and then began to decline noticeably. The film’s performance is being attributed to several key factors, primarily revolving around audience disappointment with the narrative and execution. Critics have largely panned "Dhadak 2," citing a predictable plot, underdeveloped characters, and an overreliance on formulaic tropes that felt tired and uninspired compared to the original. The article highlights recurring criticisms regarding the film’s attempt to modernize the “Dhadak” brand by incorporating social media trends and contemporary slang, which many viewers found jarring and inauthentic, ultimately detracting from the emotional core of the story.

“It felt like they were trying too hard,” commented one prominent film critic quoted in the article. "The original 'Dhadak' had a raw honesty that this sequel completely lacks. It’s all surface-level gloss without any real substance.” This sentiment seems to be echoed by audiences, who have expressed their dissatisfaction through online reviews and word-of-mouth.

In stark contrast, “Saiyaara,” a film few initially considered a major contender, has become the undisputed champion of the box office. Directed by Rohan Verma, "Saiyaara" is a visually stunning space opera romance that tells the story of two individuals from warring planetary factions who fall in love against all odds. The film’s unique premise, ambitious scope, and breathtaking visual effects have captivated audiences across demographics. The article emphasizes the novelty of “Saiyaara” within the current Indian cinematic landscape, which is often dominated by romantic dramas and action films. Its blend of science fiction elements with a deeply emotional love story has proven to be a winning combination.

Verma’s directorial debut has been lauded for its innovative storytelling, strong performances from lead actors Ishaan Kapoor and Priya Patel, and the film's ability to seamlessly integrate complex themes of prejudice, acceptance, and sacrifice into an accessible and entertaining narrative. The article notes that "Saiyaara" isn't just visually impressive; it also possesses a compelling emotional depth that resonates with viewers on a profound level.

“It’s a film that takes you on a journey,” says one audience member quoted in the piece. “You’re transported to another world, but at its heart, it’s about universal human emotions – love, loss, and hope.” This ability to connect with audiences on an emotional level is what sets "Saiyaara" apart from many contemporary Bollywood releases.

The success of "Saiyaara" also underscores a broader trend in the Indian film industry: a growing appetite for fresh narratives and innovative filmmaking. While established franchises can still draw crowds, they are increasingly vulnerable to criticism if they fail to deliver on expectations or offer something genuinely new. The article suggests that audiences are becoming more discerning and less willing to blindly support sequels simply based on brand recognition.

The contrasting fortunes of "Dhadak 2" and "Saiyaara" have sparked a wider conversation within the industry about the need for greater creative risk-taking and a willingness to experiment with new genres and storytelling techniques. Several industry analysts interviewed in the article suggest that Dharma Productions, while still a powerhouse, needs to re-evaluate its approach to sequels and prioritize originality over formulaic repetition.

Furthermore, the article touches upon the ongoing impact of streaming services on theatrical releases. While "Saiyaara" has benefited from positive word-of-mouth and strong audience engagement, “Dhadak 2’s” struggles are partly attributed to viewers opting for alternative entertainment options available through subscription platforms. The convenience and affordability of streaming have undoubtedly altered viewing habits, making it more challenging for theatrical releases to capture and retain audiences.

The article concludes by suggesting that the Indian box office is entering a new era – one where innovation, originality, and audience engagement are paramount. "Saiyaara’s" unexpected triumph serves as a potent reminder that even in a market dominated by established players, there's always room for fresh voices and bold ideas to shine. The failure of "Dhadak 2," on the other hand, acts as a cautionary tale for studios clinging to outdated formulas and neglecting the evolving tastes of the Indian movie-going public. The future of Bollywood, it seems, hinges on its ability to adapt and embrace change.

The article also hints at potential long-term consequences for Dharma Productions, suggesting that this setback could impact their brand image and influence within the industry. While they remain a dominant force, "Dhadak 2's" underperformance might prompt other studios to reconsider the reliance on established franchises and explore alternative avenues for success. The rise of Rohan Verma and “Saiyaara” signals not just a box office victory but also the emergence of a new generation of filmmakers ready to challenge the status quo and redefine the landscape of Indian cinema.

Read the Full Forbes Article at:
[ https://www.forbes.com/sites/swetakaushal/2025/08/05/india-box-office-dhadak-2-fades-in-competition-with-saiyaara/ ]

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India Box Office Dhadak 2 Fades In Competition With Saiyaara

India's Box Office Landscape Shifts: "Saiyaara" Dominates While "Dhadak 2" Struggles